It's been tough but I've managed to whittle down my 'best theatre of 2019' list to 10 plays, well, one isn't actually a play but deserves a place nonetheless. So here goes, in no particular order:

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Photo by Jon Tyson on Unsplash

1. Downstate, National Theatre

A challenging, difficult play with humour and wit inflected with wisdom that carefully balanced entertainment without detracting from the seriousness of the subject matter.

2. Betrayal, Harold Pinter Theatre

I wasn't that enamoured with Jamie Lloyd's season of Pinter shorts and then came along Betrayal and it was utterly breathtaking.

The sparse script was layered with nuanced performances from Tom Hiddleston, Zawe Ashton and Charlie Cox. What wasn't said screamed loud.

3. Seven Methods For Killing Kylie Jenner, Royal Court upstairs

This made a lot of what is on stage in London look stodgy and staid. A fresh and achingly contemporary play that cleverly and boldly tackled social media and what it reveals about modern society.

4. Hansard, National Theatre

One of those plays that get mentioned a lot in theatre conversations, this was an extremely witty and acerbic political drama/comedy which had an unexpected emotional punch.

I loved it also for its balance approached in scrutinising both left and right-leaning politics.

5. All My Sons, Old Vic Theatre

All My Sons was a gripping play, a slowly unravelling emotional thriller with masterclass performances, particularly from Colin Morgan and Sally Field. Like the characters, it left me feeling a bit shattered at the end.

6. Present Laughter, Old Vic

This is one that has appeared on a few best-of lists and deservedly so. I enjoyed it so much I went to see the NT Live encore screening.

Andrew Scott is already picking up awards for his performance which made melodrama and over-acting look effortless but it was the way he still made you feel sorry for Garry that has left the biggest mark.

Genius gender-swap casting too.

7. Lipstick: A Fairytale of Iran, Omnibus Theatre

A play which mixed the colourful, camp and different genres of storytelling with harsh realities of life in Iran. It was clever, powerful and entertaining and I'm sure it will be back on stage.

BalletBoyz Them Us Photo by George Piper

BalletBoyz: Them/Us (Us). Photo by George Piper

8. Them/Us, BalletBoyz

Not strictly theatre but I couldn't not include this show by the BalletBoyz. It was the first time I'd seen a piece of contemporary dance and the beauty and emotion of it moved me to tears.

9. Teenage Dick, Donmar Warehouse

Shakespeare's murder-his-way-to-the-crown King Richard reborn as a disabled High School student Richard Gloucester who has reputations to kill in order to make school president.

It was crammed full of wit and black humour but Daniel Monk's Richard was emotionally layered, certainly not a straightforward villain.

Oh, and it had the best dance sequence I've seen for a long, long time.

10. Cyrano de Bergerac, Playhouse Theatre

James McAvoy and Jamie Lloyd already have an impressive back catalogue of collaborations but this is the best thing they've done yet.

Fresh, contemporary and stripped back to allow the dialogue and performances to flourish this was an emotional roller coaster and another play that took my breath away.

You might also like to read:

More of my favourite fringe plays of 2019.

Not everything I've seen in 2019 has hit the mark, these are my 5 least favourite plays.

Latest review: Lydia Wilson is the magnetic Duchess of Malfi, Almeida Theatre.

From the archive: The real reasons theatre addicts choose to see a play.

 

 

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One response to “End of year review: My favourite theatre of 2019, a year of dazzling performances, wit, drama and tears”

  1. Mark Harris avatar
    Mark Harris

    Hello! Just found your blog. Lots of reading back to do – might drop in some comments here and there.
    Some improved finances in 2019 meant I could go to quite a few plays and shows in London (and Southend!). I saw plenty of good things and a few bad ones, and my opinions don’t always match the general consensus!
    So here’s my top 10, in a kind of order (1 is the best):
    10 The Price. Really powerful performances, from Poirot and Mr Bates. And Arthur Miller, of course.
    9 Lungs. I didn’t particularly connect with the subject matter (I’ve never wanted children) but the script was funny and moving, and it was great to see my favourite Doctor in person, proving why he was the best Doctor ever.
    8 Death of a Salesman. I studied this at school, and once saw Warren Mitchell as Willy Loman. This adaptation really worked well with an excellent cast. Saw this the night before the ceiling fell in!
    7 A Christmas Carol. I loved the bleak BBC version, then the next day saw this more traditional one. So many ways to tell this story! I think the theatre was a bit dusty though, as there were tears in my eyes at the end.
    6 Ian McKellen on Stage. Now we’re getting into the realms of not really being able to separate the shows. The whole experience of being in a room with Sir Ian was fantastic. Even better, at the interval – as I was walking back to my seat – I looked up to see Ian standing in my way, as he was heading out to get some fresh air. We stepped aside for each other. Yes, Gandalf let me pass!
    5 The Antipodes. This was a fascinating experience. I’m still thinking about it weeks later, what did it all mean, really, why did he put on the wolf’s head, why did . . . Towards the end I realised what it was about but it turned out I was wrong. Or was I? This was really, really good stuff. Weird, good stuff.
    4 Jesus Christ Superstar. I’ve always loved this show but hadn’t seen it for many years. This was so good I went back and saw it again. A great thing, mystifying.
    3 All My Sons. Two Hollywood superstars and two great British TV stars, Arthur Miller, a beautiful set, a moving play. Colin Morgan was the standout, and it was nice to see the best Doctor’s best companion, just a few feet away.
    2 A Midsummer Night’s Dream. Totally enchanting. I went back to see this one again. The first time there was a power cut in the whole area just after the start, so we sat under emergency lights for almost an hour before they could get going again. The second time there was a scheduled fire drill immediately the play ended, so the dancing was cut short and they rushed us out. I still haven’t seen the whole thing uninterrupted, so if they ever put it on again, I’m there.
    1 Present Laughter. Just perfect. Andrew Scott gets all the praise but Indira Varma was the standout for me. I was just a couple of metres away from her at the end, and she was crying. Really crying. Everything about it was amazing.
    Honourable mentions to Night of the Iguana, The Play That Goes Wrong, Dark Sublime, Rosmersholm, Man of La Mancha and Alys, Always.
    I’ll add my least favourite 5 on the appropriate page, if you don’t mind, a bit controversial, I think.

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