20412_fullIt's the 20th anniversary of Kevin Elyot's gay comedy My Night With Reg and while medical science has subsequently made huge leaps in the treatment of Aids this production hasn't lost any of its bittersweet edge.

Set in the flat of Guy (Jonathan Broadbent) the play follows the lives, loves and affairs of a group of gay friends over several years as they adjust to life and the spectre of Aids. The eponymous 'Reg' is like Godot in Samuel Beckett's play Waiting for Godot, never seen but pivotal to the plot.

Guy is the cuddly, affable one and the least successful in love mainly because he has held a torch for John (Julian Ovenden) since they were students. John oozes charm and charisma, is independently wealthy and unable to settle down, disappearing for months sometimes years on end until he falls for the wrong person.

Daniel (Geoffrey Streatfeild) and John were best friends at University, swapping lovers and easily falling back into old jokes and teasing when they meet up. Daniel has subsequently settled down with Reg. The group is completed with Eric (Lewis Reeves) a young Brummie barman at the local gay pub and Benny and Bernie (Matt Bardock and Richard Cant) a bickering couple for whom domestic bliss suits one more than the other.


The script is laced with humour and wit and executed with perfect comic timing. In fact the performances are so beautifully nuanced and rich in personality the characters are a joy to spend time with and hard not to care about. At times it is like watching a masterclass in reaction which serves well both the comedy and ultimately the tragedy, in fact I often found myself watching for what was unsaid rather than what was being said.

Broken hearts, betrayal and unrequited love together with the threat of Aids lurking subtly in the background add an emotional sting in tale. In essence Elyot's mixture of the bitter and sweet under Robert Hastie's direction is what gives this its real currency. The human story of love, loss and friendship transcends time.

I never saw the original but I'm sure Elyot would be more than satisfied with this revival. So glad Poly nabbed us some £10 tickets so we can laugh and cry all over again.

My Night With Reg runs at the Donmar Warehouse until Sept 27.

RS/BW 6DS

Jonathan Broadbent was in Kenneth Brannagh's screen version of As You Like It in which Romola Garai also appeared. Romola, of course, played Mr W's best friend in The Hour.

 

 

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3 responses to “Review: The beautifully bittersweet My Night With Reg at the Donmar Warehouse”

  1. David avatar
    David

    A wonderful simple complicated public personal loving remembering forgetting play. Sitting yesterday in the Donmar with an audience mostly full of guys (and Guys) of a certain age – 1980s and 90s, we were there – I wondered what gave My Night with Reg its unique flavour.
    The morning after – the gayest possible time for reflection – I’ve been wondering what is gay comedy. Is it about wit (well, yes, but..)? Is it about camp (sweetheart, don’t let anyone tell you it’s not important, but..)? I don’t think so. Maybe My Night with Reg shows its none of those things. Instead it’s about deflation – pricking (sic) the bubble, if you like – and the bubble that is pricked is mostly sex. That’s because sex is about self-identity for gay men, and it’s serious – deadly serious, as the play shows. And sex cannot be approached with a straight face (sic). So like Jewish humour – so close, only a foreskin between us – gay humour insists that the most fundamental source of identity should be diminished. It cannot be allowed to be serious in case it overwhelm us – and the impulse is the transition from raging hard on to shrivelled after-the-fact, a transition all boys know has a humour all its own. So whilst monarchists can’t deflate the monarchy (treason) and parents can’t deflate parenthood (exactly the opposite – they exalt it with tearful protestations of devotion unto death), gay humour is reflexive, has a knowing relationship with itself, insists the core of its identity is, in fact, hilarious. Guy (woof, down boy) and Dan (who can’t tell a man from a tree, and would cheerfully give a blowjob to either), Eric who couldn’t kiss guy because it would be like snogging his mother, and she’s dead. Deflation all round. Aren’t we funny – funny ho-ho and funny peculiar – for wanting this so much, and yet we do. Isn’t it strange. Fancy that. Now pass the lube. And if that isn’t the essence of the comedie humaine then I don’t know what is.
    A first thought – an after-thought. More work to be done here.
    So, my afternoon with Kevin (1951-2014)? Unforgettable.

  2. Rev Stan avatar

    I don’t think I could respond in anyway that would do justice to your thoughts. So I’ll just simply say, so glad you liked it.

  3. Poly Gianniba avatar

    Hi David, Revstan knows how much I love this play / production, for its warmth, generosity of spirit and the sly way it kneecaps you when you least expect it. Your words brought it all back. Thank you and see you around.

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